|Jongor Fights Back, Frank Frazetta, 1967|
Deep into the quiet nights of my youth in the '70s, before the endless murmuring of the electronic ether, I would sit and read and reread all the books and magazines and comics I had at hand. The silence focused my attention on the images and words, with them evoking, in turn, images and emotions beyond what was on the pages before me. Eventually, gradually, I began to grasp that some of these works, the ones that most deeply stirred me, were by certain writers and artists. Among the first artists I began to appreciate for what their talent could conjure within me was Frank Frazetta.
Frazetta's universe is dark and whirling. Each image is a lightning-flashed frozen moment, a glimpse into a dark dimension. So much of his work is of a lone protagonist fighting for his life, sometimes the life of another, but the battles are often lonely. Empty stone halls, twilight-lit wilderness, dank swamps, and frozen mountains are often the stages upon which these tableaus play out to their grim conclusions.
There is no implied glory here; these struggles are personal. Some might argue this is not heroism, but simply survival. But I have often thought that in Frazetta's universe these battles are, indeed, heroic, with the protagonist's demon-grappling a fight to shrug off their own shadow, to bring a hero forth from within that can make the world a better place, or at least a bit less dark.
In Frazetta's universe, the antagonist is often unseen or a force of nature. It is more about what the protagonist is doing, how he prepares for and prosecutes battle. In that universe, readiness for war is always a virtue.
The image accompanying this post may seem like a strange choice. Yet, it is quintessential Frazetta. The title, Jongor Fights Back, while unnecessary, is perfect. We already know everything we need just from the image. Somewhere in Frazetta's endless dark dimension, a warrior defends himself and his companion, awkwardly perched on a reptilian mount, with threatening aerial creatures in a gyre above and about them. The spare background adds to the dreamy feel of the picture, a timeless moment that is a reflection of eternity. The action is the real protagonist here, as in so many Frazetta works.
I bought a print of the above painting. Its presence is a portal into that dark dimension to which my thoughts are so often drawn, even now, so long after they were first lured there.